Scope
A Chinese community index of Deleuze seminars, writings, cinema materials, and terminology. Translators, source editions, completeness, and revision status vary by page.
34 page-level entries from the Deleuze Seminars Chinese community corpus cover four cinema seminar series, both Cinema books, filmmaker pages, philosophy seminars, works, and a dictionary. Each entry links relevant terms, films, and primary archives.
A Chinese community index of Deleuze seminars, writings, cinema materials, and terminology. Translators, source editions, completeness, and revision status vary by page.
The index stores page-level metadata, stable links, short annotations, and concept relations. Citations resolve to the source page and are checked against French recordings/transcripts, Purdue translations, or published editions.
Source type: public community corpus. Some pages combine Chinese translations, French and English texts, reader notes, and external files. Quotations, film titles, pagination, and terms are checked against their original sources; title variants such as 图像/图象 are preserved.
The four cinema series should be located by session and date across 1981–1985. Notion supports discovery; Purdue supplies audio, French transcripts, and English translations for checking.
Local-ledger snapshot dated 2026-05-10: 20 seminar gateways, 26 work gateways, 5 About Deleuze gateways, 4 cinema gateways, 668 dictionary entries, and 2 root pages, totaling 725. The public root observed on 2026-08-12 contains later additions; 725 applies only to this snapshot.
Each record includes the source title, stable link, languages, scope, summary, related terms, and provenance. Long translations remain on the community source page.
34 records
Corpus-wide discovery gateway. Citations resolve to a specific page and primary archive.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
page label: 1976–1989
ZH / FR / EN · public-webCinema sub-hub linking both Cinema volumes and pages on Ozu and Duras. The 1976–1989 label marks the material range; each seminar series has separate dates.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1981–1982
ZH / FR / EN · public-webDevelops the movement-image through Bergson, Peirce, and cinematic classification, supplying the genetic conditions for the time-image’s break.
Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1982–1983
ZH / FR / EN · public-webConnects movement-image taxonomy to time and traces Deleuze’s transformation of Peircean terms. The source page combines seminar transcripts and compiler commentary, cited separately.
Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1983-11-08 — 1984-06-12
ZH / FR / EN · public-webA central time-image series linking the crisis of truth, crystalline formation, chains of falsifiers, and powers of the false. Citations identify the session date and recording or Purdue transcript.
Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1984–1985
ZH / FR · public-webMoves from rational/irrational cuts and temporal series/orders toward speech acts, audiovisual relations, and thought’s powerlessness. The page currently foregrounds the 5 March 1985 session; translation coverage follows the material displayed there.
Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
book: 1983; Notion page created: 2021-05-18
ZH / FR / EN · public-webChapter-organized community reading gateway comparing French, English, and Chinese versions. Pagination identifies the cited edition.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
book: 1985; Notion page created: 2021-06-05
ZH / FR / EN · public-webCompares French, English, and several Chinese renderings and includes compiler tools and commentary. Citations distinguish primary text, translation, and secondary synthesis.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
Connects everyday spaces, still lifes, and empty shots to pure optical/sound situations. The time-image criterion is a break in sensory-motor extension.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
A key page for audiovisual disjunction, speech acts, emptied places, and incommensurable relations. Cross-check with Cinema 2 chapter 9 and specific shots; voice-over enters the analysis through its audiovisual relations.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
Explains the organization of seminar archives, transcripts, and translations; source level: archive guide.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1956–1957
ZH / FR / EN · public-webSupplies early teaching context on grounding, reason, and problems and traces the formation behind later problematics and concept creation.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1959–1960
ZH / FR · public-webTraces the teaching prehistory of duration, memory, and subjectivity as genealogical context for the time-image; direct arguments appear in Matter and Memory and Cinema 2.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1971–1972
ZH / FR / EN · public-webProvides seminar context for desiring-production, flows, breaks, and social machines. Film analysis focuses on how image assemblages produce subjects.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
Continues desire, social coding, and subjectivation through bodies, speech, and assemblages. Concepts brought into Cinema research are marked as cross-text transfers.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
Carries the Anti-Oedipus seminar cluster toward assemblage, territory, and collective enunciation. Cinematic applications are marked as theoretical transfers, distinct from Cinema 2 categories.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1977 course cluster
ZH / FR / EN · public-webAnalyzes rigid and supple segmentarity in spaces, institutions, and bodies. Concrete spatial organization establishes the relation to any-space-whatever.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
contains IRCAM session: 1978-02-23
ZH / FR / EN · public-webIncludes Deleuze and Boulez on musical time, a reference for pulsed/non-pulsed time and heterogeneous durations. Audiovisual analysis establishes any link to the cinematic time-image.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1979-02-27
ZH / FR / EN · public-webBrings matter-flow, movement, metallurgy, and Simondonian individuation into film research to analyze media materiality and becoming.
Public Notion page title and link checked directly on 2026-08-12; evidence scope: page-level metadata.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
A source for institutional space, apparatuses of capture, nomadic distribution, and collective force. Its link to political cinema operates through staging, voice allocation, and permissions to act.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
A gateway to the philosophical reversal by which time ceases to be measured by movement, clarifying time out of joint. Image-relations provide the film-level evidence for a time-image.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
Provides a genealogy for incompossible worlds, bifurcation, and concept creation. Links to peaks of the present or powers of the false specify the temporal relation.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
Connects post-Anti-Oedipus conceptual revisions and teaching reflections, marking shifts in Deleuze–Guattari terminology over time.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1980–1981
ZH / FR / EN · public-webExtends body-cinema research through speed, slowness, affect, and capacity to act. Slowness here is relational and capacitary; slow motion and slow cinema are concrete forms.
Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1981
ZH / FR / EN · public-webA cross-media reference for diagrams, marks, forces, colour, and sensation. Cinematic applications resolve to shots, materiality, and bodies.
Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1985–1986
ZH / FR / EN · public-webA key gateway for the visible and sayable, diagrams, strata, and subjectivation. It deepens audiovisual disjunction while keeping visible/sayable distinct from image/dialogue.
Notion title/link cross-checked with the official Purdue Deleuze Seminars archive. The date identifies the seminar series; community-page publication date is separate.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
Returns to the philosophical basis of duration, memory, actual/virtual, and coexistence of the past. Terminology is checked against Bergson while tracing Deleuze’s transformation of it in cinema.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
Supplies seminar genealogy for immanence, bodily capacities, and affect. Film analysis enters shot evidence through bodily capacities and changing speeds.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
original: 1966; cited Chinese edition: 2023
ZH / FR · public-webAn important bibliographic gateway for checking duration, memory, actual/virtual, and multiplicity. Page-level availability leaves copyright unchanged; formal citations use a lawful edition and publisher metadata.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
original: 1968; indexed edition label: 2015
ZH / FR · public-webA primary route into difference, repetition, syntheses, the virtual, and forced thought. Cinematic applications are marked as genealogy or methodological extension and specify differential relations in repeated shots.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
French collection: 2003
ZH / FR / EN · public-webA cross-period gateway to essays, lectures, and interviews for tracing conceptual change. Collection date, original composition date, and community-page date are labeled separately.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
1991
ZH / FR / EN · public-webA key gateway for concepts, percepts, and affects, grounding cinema and philosophy as parallel creation. This late tripartition is marked as a cross-text synthesis.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
An alphabetized interview gateway for conceptual side routes and spoken context. The books supply definitions; subtitles and names are checked against the French video.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.
local catalog snapshot: 2026-05-10
ZH / FR / EN · public-webThe local 2026-05-10 catalog snapshot records 668 entries for term discovery and variant tracking. The atlas glossary separately records the French term, major Chinese variants, atlas term, rationale, edition sources, and conceptual scope.
The title is visible on the public root as of 2026-08-12; its stable page ID and category were checked against the local 2026-05-10 catalog ledger.
Source material is maintained by an independent Chinese community. This entry provides discovery, relation mapping, and verification paths; the source page carries its translator, publisher, and revision credits.